Arts

"Hot on the heels of the inaugural reACT series performance with Trisha Brown Dance Company in May 2016, and our most successful Watermill Center Annual Summer Benefit & Auction to-date, we're thrilled to invite the public to Watermill for yet another culturally engaging evening with a captivating performance by one of our resident artist alumni," shared William Wagner.

The New York City-based production has been described as "The Greatest 1960's Musical Re-Creation Show in the World."

"Just the presence of Patrick McMullan and his camera at a gala, fund raiser, award diner, clubs, etc. ensures a success for the evening," explained Tulla Booth. "He is known for his friendly and offhanded manner."

Mamet's production style knows no boundaries and will surely provoke laughter and poke fun at the self-centeredness and power-hunger attitude that plagues many politicians to this day.

"We are fortunate to offer visitors an intimate look at artworks that reflect the relationship of an artist couple that were integral to this community," remarked Guest Curator Gail Levin.

"The Stephen Talkhouse is an intimate room known for its authenticity and great music - two things I am very passionate about," said Ingram.

"The big point in the film is that it was deemed a structure, therefore it was not legal because of the setbacks, and to me, you can call it a structure, I suppose, but it's a piece of art," said Alda.

"I think the audience is going to be surprised because nobody really knows who Brel truly was as a performer," said Alfredo Merat.

"There is great humor in watching adults unleash their inner child, but with that comes some jarring and telling truths," noted Michael Disher.

"By relying on my intuition over my intellect, I put myself in that wondrous place where it feels like the painting has created itself and re-created me in the process," said Mark Seidenfeld.