Arts

"We're here year round for the community with inspiring exhibitions, art classes for children and adults, and diverse public programs," said Museum Director Terrie Sultan. "But I'm always especially delighted when we open our doors for a free community day so that everyone can experience all the Parrish has to offer."

"I love that Warhol, Pollock and de Kooning were all out there. I like imagining them working in the summer where we are all subjected to the same conditions," reflected William Richmond-Watson.

No need to worry about falling asleep or yawning through this action packed production with punch lines every couple of seconds because it has a razzle dazzle quality that will keep your total attention on the stage.

"It's an easy way to support the Festival and experience an amazing night of music!" Kelly C Dodds, Sag Harbor American Music Festival President & Co-Artistic Director, noted.

"We believe nature can be an inspiration for the artist, and this exhibition really showcases that connection perfectly," Kathy Kennedy noted.

"Promised Land today captivates us as a place of great natural beauty preserved as parkland, but it has a powerfully fascinating, lesser-known history as a significant port that was based on a thriving fishing industry, which fueled the local economy for many years," reflected Esperanza Leon.

"The Great Gatsby is a wonderful piece to bring to life on stage with all the nuances and references to society norms and expectations during the 20s," Joe Minutillo explained.

"It not only is a fantastic boost to the construction but insurance that the Cinema Art Center will be preserved for generations to come, regardless of what zoning changes or other variable happen in the fabric of the historic district," said Treasurer Susan Mead.

"HyperPOPism is just that Pop in overdrive as four artists take iconic images, science fiction, colors and creativity to the walls with art that stimulates the imagination and captivates the senses," Kat O'Neill reflected.

"I begged Murray for 10 years to let me organize and digitize the footage for him and work together with him to produce a comprehensive Newport documentary. By 2017 he realized he was never going to get to direct an updated Newport documentary himself, and finally allowed Richard and me to handle it. For him it was like...