Judging by the enthusiastic applause, Neil Simon’s play “Rose and Walsh,” currently in production by the Hampton Theatre Company in Quogue, is a resounding success. It serves as the opening act for the Hampton Theatre Company’s 39th season, and Director George A. Loizides deserves applause for his exceptional work in staging this comedy.
The four-actor ensemble comes together seamlessly, creating a performance so delightful that I found myself never wanting it to end. The energy and chemistry on stage are exceptionally natural, keeping the audience engaged without a glance at their watches – instead, they’re laughing and clapping. “Rose and Walsh” is set to run until November 5th at Quogue Community Hall.
There are numerous reasons to enjoy this production. Neil Simon’s play boasts a unique local appeal, with one of the characters, Gavin Clancy, scripted as a Quogue resident. This adds to the joyous and lively atmosphere. After all, who can appreciate Simon’s witty one-liners about Quogue better than the actual Quogue Community Hall audience?
Rosemary Cline, a beloved actor of both the Hampton Theatre Company and East End theater, delivers a remarkable performance as “Rose.” Her talent shines through in every gesture, eye-roll, perfectly timed moment, and line delivery. The audience is captivated from the very beginning, as demonstrated by the thunderous applause during the curtain call – a well-deserved “Brava.”
The iconic Andrew Botsford takes on the role of “Walsh” and truly appears born for the part. Botsford’s masterful performance showcases grace, dignity, and impeccable timing. His presence under the stage lights makes the production flow effortlessly, like water to the sea. Botsford stands as one of the pillars of talent that consistently propels the Hampton Theatre Company to success.
Alaina Manzo, portraying “Arlene Moss,” and Alexander Massaad, in the role of “Gavin Clancy,” both offer notable performances, with each seizing wonderful scene-stealing moments throughout the show.
While the cast may consist of just four actors, it takes a dedicated team to make this show such a triumph. Special thanks to producer Roger Moley. Kudos for the beautifully crafted set go to set designer George A. Loizides, who is also the director, along with resident designers/builders Ricky Bottenus and Meg Sexton. Lighting design is by Sebastian Paczynski, with sound design by Seamus Naughton. Costumes are skillfully handled by Teresa Lebrun. Terrance Fiore manages the rehearsal stage and shares production stage management duties with Laurie Atlas. Michael Sean Jones is in charge of lighting and sound, and let’s not forget the much-appreciated Julia Morgan Abrams, the house manager. Last but certainly not least, a big thank you to Hampton Theatre Company General Manager Terry Brennan for their invaluable contributions.
For an evening of entertaining live theater, be sure to catch the Hampton Theatre Company’s production of Neil Simon’s “Rose and Walsh.” This is a truly outstanding show.
