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March 3, 2021

INTERVIEW: Filmmaker Barry Avrich On “Made You Look: A Story About Fake Art” And The Largest Art Fraud In American History

Nicole Barylskiby Nicole Barylski
in Uncategorized

Filmmaker Barry Avrich’s latest documentary delves into the biggest art scandal in American history – which involves what was the oldest art gallery in New York and $80 million worth of forged works.

Made You Look: A Story About Fake Art explores how the prestigious Knoedler & Company, which had been around for 165 years before it was forced to close, unwittingly procured and sold more than 60 Abstract Expressionist canvases that were supposedly created by renowned artists like Mark Rothko, Jackson Pollock, and Willem de Kooning, but turned out to be fakes.

We caught up with Avrich, who also directed David Foster: Off the Record and Prosecuting Evil, about the fascinating story and art crime documentary, which just premiered on Netflix.

After watching your film, I have to say I’m still perplexed by how Knoedler, this prominent gallery that had been around for 165 years, sold multiple fakes – resulting in over $80 million of profit, and not know it.

BA: Well, that’s the greatest question ever. It’s a hard one to answer and ultimately, results in the alchemy of avarice and desperation and being susceptible to a great con. The story had everything. It just kept giving. It was quite something.

What was your reaction when you first learned about the scandal?

BA: Well, a friend of mine who’s an art collector alerted me to the story. I was aware of it. But, being a collector and being somebody that’s sort of been in the periphery of the art world for a long time, I was well aware that fakes are being sold constantly, and there are galleries and museums around the world that knowingly and unknowingly have them on their walls, in their vaults, and in their collections – and nobody really wants to talk about it. So I wasn’t shocked. I was shocked that it went on for so long. You would think that if you’re a con artist and you went in and that you were able to con the Knoedler Gallery on one or two pieces, you would get the hell out of Dodge, but to keep this moving for ten years was insane. That’s what certainly surprised me enormously. I was incredibly fortunate to get Ann Freedman, who ran the Knoedler Gallery, and had one of the most pristine reputations in the art world, to sit down with me and then unfold her whole story here, because she just was not giving interviews.

Was she hesitant to share her side of the story for the documentary?

BA: Very. It took a lot of wine soaked lunches and dinners at The Mark Hotel in New York to gain her trust and to persuade her. I think, ultimately, what persuaded her and got her on side was the fact that I said to her that this is going to be a feature length film. So unlike American Greed, or a 60 Minutes segment, which is going to be 12 minutes, you got 90 minutes to tell your side of story. I cannot guarantee that the public will believe it. I cannot guarantee that this film will be your vindication. However, this is your opportunity to tell your story. Otherwise, the only thing that people are going to find when they Google you from now till the end of time will be the fact that you were the epicenter of a scandal and great doubt. That might still continue, but you will have your side recounted in the film. And so she agreed. We spent, I think, probably close to 40 hours filming her.

And after making the film, do you have an opinion on whether or not she knew?

BA: You know, it’s interesting. Every time we finished shooting, the crew, we would go for dinner and vacillate on one session with her. She believed they were real. Let’s give her the benefit of doubt. The next session would be got to be guilty. We went back and forth constantly, as I think people do when they watch the film. But the bottom line, for me, is that I do not believe that she entered into this in any sort of Machiavellian plan of deception or that she was the architect of the scam and this con. I do believe she should have known better halfway in or a quarter of the way in. And said, Oh, this is a real problem. But as this sort of archaeologist, this academic who wants to find the answers and keep searching and did believe in her 40 year career that art is found discovered all the time, she wanted to believe it. The troublesome thing, for me, is that the fakes that were being revealed still were coming from the same seller, this Glafira Rosales, and her partner, Carlos Bergantiños, the father of her child. That, to me, was the big red flag. That was the big issue. So, I think she should have known better ultimately, because this cost her her reputation forever.

It was pretty shocking that despite not having much “provenance” (the paper trail of its history and ownership), and many having glaring mistakes, these pieces from renowned artists were still declared real by art experts. I mean, how does that happen?

BA: Ultimately, Nicole, this was good for everyone. Not it being a scandal or a con, but it was good that there were discoveries because everybody was making money – the dealers, the art consultants, the experts, the authenticators, the foundations. This just was really good because it was putting Rothko, Pollock, de Kooning, Diebenkorn, all these great Abstract Expressionist artists back in the headlights, in a good way – because this stuff was selling and getting tremendous numbers. And so you go, okay, well, if I own a Motherwell, it’s worth this much more. If I represent a collector, it’s worth this much more. It was good for everybody. I always said in this film, there’s so much blame to go around. It’s easy to say Ann Freedman is the villain – or Glafira Rosales – but everybody sort of has to accept some blame here on the end of it. The experts that had said it was a real all sort of rushed back to say, well, I never really said it was real. I said that it looked good. She didn’t really show it to me properly. It was on a floor, she sent me an email. Everybody sort of ran for the hills with this at the end of the day.

How did this scandal impact the art world – if it did at all?

BA: Not at all. That’s the sad point. I think that maybe, because it’s a headline that people were buying art of the moment, in the moment when the scandal unfolded in The New York Times and Vanity Fair were covering voraciously. Or maybe went back if they were in the midst of buying a piece and said better double check here. And maybe more people will check now that this documentary has some heat on it. But, ultimately, people who want art want it – and they have to have it. It’s trophy collecting, it’s status seeking. When you have that kind of art, they love entertaining, they love walking around their home and showing you that I have a Rothko, I have a Pollock. It says you’ve arrived and that you’re a serious collector. So if people want it, they want it. I’ve always said that people should buy art with their eyes and not their ears. Because the biggest problem in the art world, for me, is art consultants who have trained their clients to buy art because it’s important for them to have it – versus don’t you just love it?

Is there anything that you hope that people will take away from the film?

BA: That’s it. Buy art because you love it, buy art because of the way it makes you feel. It doesn’t matter whether it’s expensive, it doesn’t matter whether it’s valuable, doesn’t even matter if it’s going to appreciate value. The point of it is that you want to walk in, especially during COVID time, art, for me, is a great salvation. I can walk into my home or my office, and I don’t have millions of dollars of art, but I can walk in and I can look at pieces. I’m looking at a beautiful piece right now. And I get lost in it as I’m talking to you. And that’s what art does. It’s an escape, just like a book or a movie. You shouldn’t buy it because it’s an investment.

And what will you be focusing on next?

BA: Specifically with Made You Look, we’re developing it as a scripted series, a limited series, so a lot of my attention is focused on that right now.

For more information, visit www.netflix.com.

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October 30 @ 06:00 PM - October 30 @ 07:00 PM
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October 30 @ 06:00 PM - October 30 @ 07:30 PM
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SOFO’S Tortoise Vs. Turtle Live Presentation

SOFO'S Tortoise Vs. Turtle Live Presentation

  • Dust off your favorite witch’s hat and opt for a paddleboard instead of a broom for Paddle Diva & Wych’s Bloom’s inaugural Witches Paddle on Wednesday, October 29, from 4–6 p.m. at Paddle Diva (10 Boat Yard Rd., East Hampton, NY). A portion of the proceeds will go to the Surfrider Foundation’s Eastern Long Island Chapter and its efforts to protect the world’s oceans, waves, and beaches through dedicated activism. ⁠
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We’ve all seen Witches Paddles grace our social media feeds, and now you can partake in the spooky fun! This tradition combines Halloween vibes with the healing power of nature as you glide and take in the beautiful Three Mile Harbor views.⁠
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Gina Bradley excitedly shared, “I am thrilled to be hosting this at Paddle Diva’s permanent location inside Swan’s Marina (formerly Vanderveer’s). This kind of paddle has been on my mind for many years, as I’ve seen them in all parts of the world, and it looks so cool seeing all the witches gracefully gliding along the water. This is particularly exciting because we’ve joined forces with Wych’s Bloom, a local herbal apothecary brand, and Surfrider to raise money and awareness for ocean and clean bay initiatives that are crucial for our waters on the East End of Long Island.”⁠
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“As an herbalist, Samhain, or Halloween, offers a special occasion for me to celebrate the healers who came before us to teach the wisdom of the plants in our region. I had seen people gathering for Witches Paddles all over the country, and as a surfer, I connected instantly with these events. When I texted Gina the idea, she was immediately in. That’s what I love about the women on the East End—they’re always up for an adventure,” shared Wych’s Bloom owner and Surfrider Foundation board member Christina Winters.⁠
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Join us in taking part in this one-of-a-kind event! Craft a witch’s outfit and set sail at the inaugural Witches Paddle for a great cause.⁠
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@paddlediva @wychs_bloom⁠
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#witch #witchespaddle #paddlediva #hamptons #halloween #easthampton⁠
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  • Check out the top Hamptons events this weekend!⁠
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🍎 Wölffer’s Cider Fest⁠
📅 Sat, Oct 25 | ⏰ 2–5PM⁠
📍 The Wine Stand, Sagaponack⁠
Sip cider, enjoy live music, games, and lobster rolls!⁠
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🍦 Buddhaberry’s Spooktacular Costume Party⁠
📅 Sat, Oct 25 | ⏰ 2–4PM⁠
📍 Buddhaberry, Southampton⁠
Bingo, trivia & costume prizes galore!⁠
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👻 Haunted Village⁠
📅 Sat, Oct 25 | ⏰ 11AM–4PM⁠
📍 Southampton History Museum⁠
Ghost stories, pumpkin carving & trick-or-treating!⁠
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🧙‍♀️ CMEE’s Halloween Bash⁠
📅 Fri, Oct 24 | ⏰ 4–6PM⁠
📍 CMEE, Bridgehampton⁠
Spooky crafts, games & costume contest!⁠
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🎬 The Horror Show at Sunset Theater⁠
📅 Oct 24–30⁠
📍 Westhampton Beach⁠
7 nights of scary movies 🍿⁠
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🎧 Halloween Silent Disco Dance Party⁠
📅 Sat, Oct 25 | ⏰ 7–10PM⁠
📍 Guild Hall, East Hampton⁠
3 channels, endless grooves—disco, funk & more!⁠
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🐾 Canines in Costume at LongHouse Reserve⁠
📅 Sat, Oct 25 | ⏰ 10:30AM–12:30PM⁠
📍 East Hampton⁠
Dress up your pup + enjoy treats & fun!⁠
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🎃 Bridgehampton Halloween Parade⁠
📅 Sat, Oct 25 | ⏰ 10–11AM⁠
📍 Hampton Library, Bridgehampton⁠
Trick-or-treat parade down Main Street!⁠
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🎸 The Cherry Bombs at The Stephen Talkhouse⁠
📅 Fri, Oct 24 | ⏰ 8PM⁠
📍 Amagansett⁠
Rock out all night! 🤘⁠
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🌲 Enchanted Forest Trail⁠
📅 Oct 25–26 | ⏰ 12–1:30PM⁠
📍 Quogue Wildlife Refuge⁠
Costume walk + crafts + games!⁠
⁠
🥁 Annual Ragamuffin Parade⁠
📅 Sun, Oct 26 | ⏰ 1PM⁠
📍 Sag Harbor⁠
Parade fun for all ages + pets!⁠
⁠
🐶 Little Lucy’s Annual Pet Parade⁠
📅 Sat, Oct 25 | ⏰ 1–4PM⁠
📍 Agawam Park, Southampton⁠
Prizes, live music & celebrity judges!⁠
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🕸️ Solé East’s Halloween Party⁠
📅 Sat, Oct 25 | ⏰ 8PM⁠
📍 Montauk⁠
Win a free weekend stay for best costume!⁠
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🍁 Centro’s Fall Festival⁠
📅 Sun, Oct 26 | ⏰ 12–5PM⁠
📍 Hampton Bays⁠
Pumpkin decorating, drinks & local vendors!⁠
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🔗 Click link in bio for more events at Hamptons.com⁠
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#hamptons #halloween #pumpkins #scarymovies #southampton #sagharbor #easthampton #costumes
  • East Hampton’s streets came alive with wagging tails and smiling faces for ARF’s 32nd Annual Stroll to the Sea Dog Walk. Families, friends, and their dogs gathered at the historic Mulford Farm, where the morning kicked off with vendors, photo ops, custom merchandise, contests, and prizes.

@arfhamptons 

#arf #hamptons #community #mainbeach #adoptdontshop❤️
  • Last Saturday, Wölffer held its annual harvest party at its scenic vineyard in Sagaponack. The annual fest brought together friends, families, and wine lovers to toast the season and harvest behind every bottle of Wölffer wine.⁠
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📸: Cameron Burton⁠
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Check out the full gallery at Hamptons.com (Link in Bio)⁠
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#wolffer #hamptons #wolfferwine #harvestparty
  • From Hollywood red carpets to Milan exhibits and Hamptons fashion shoots, Filbert Kung has photographed the world—but it’s his quiet, unguarded, and attentive nature that reveals the artist behind the lens.⁠ @filbert_kung 
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I met Filbert Diego Kung at a Grey/Ven fashion event in Amagansett last summer. He’s one of those rare photographers who instantly puts you at ease—calm, composed, and naturally good at making anyone feel like they belong in front of his lens. Had I known then just how in-demand Filbert is in the fashion and photography world, I probably wouldn’t have asked him to snap a few shots of me goofing off on the red carpet. But maybe that makes me a model? Either way, it was my first glimpse of how effortlessly he captures people as they are. In my case, goofy-but-make-it-chic.⁠
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Since then, I’ve seen him popping up around the Hamptons, often between flights to LA, Miami, or wherever the next big editorial or campaign takes him. Originally from the Philippines, Filbert has spent over fifteen years building a career that bridges Hollywood red carpets, high-fashion editorials, and fine art portraiture. ⁠
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Read the interview at Hamptons.com (Link in Bio)⁠
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⁠#photographer #photography #hamptons
  • From fall festivals to concerts, a lot is happening in the Hamptons this weekend! ⁠
⁠
Check out the top Hamptons events this weekend!⁠
⁠
🎃 Fall Festival at Good Ground Park⁠
📍 Hampton Bays | 🗓️ Fri, Oct 17 | 🕓 4–6PM⁠
Bring your pre-carved pumpkin & compete for prizes! Games, food truck, costume parade & more!⁠
👉 Link in bio⁠
⁠
🍷 Wölffer’s Candlelight Fridays⁠
📍 Sagaponack | 🗓️ Fri, Oct 17 | 🕓 4–7PM⁠
Live music, seasonal pairings & cozy vibes 🍁⁠
👉 Link in bio⁠
⁠
🖼️ Like No One: Michael McDowell Exhibition⁠
📍 East Hampton | 🗓️ Oct 17–19⁠
🎉 Opening reception: Sat, Oct 18 | 4–8PM⁠
Fine art lovers, don’t miss this!⁠
👉 Link in bio⁠
⁠
📚 BookHampton: Caroline Sutton in Conversation⁠
📍 East Hampton | 🗓️ Sat, Oct 18 | 🕕 6PM⁠
Nature meets literature in this insightful author talk.⁠
👉 Link in bio⁠
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👟 Shelter Island Fall 5K Run/Walk⁠
📍 Shelter Island | 🗓️ Sat, Oct 18 | 🕚 11AM–2PM⁠
Run/walk for a cause—supporting Breast Cancer Awareness 💗⁠
👉 Link in bio⁠
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🏛️ 32nd Annual Landmarks Luncheon⁠
📍 Maidstone Club | 🗓️ Sat, Oct 18 | 🕦 11:30AM–2:30PM⁠
Hosted by LVIS, spotlighting the history of East Hampton’s Freetown.⁠
👉 Link in bio⁠
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🍂 Amber Waves’ Oktoberfeast⁠
📍 Amagansett | 🗓️ Sat, Oct 18 | 🕑 2–5PM⁠
Seasonal dishes, live music, dancing & games 🎶⁠
👉 Link in bio⁠
⁠
🎻 BCM Autumn: Brooklyn Rider⁠
📍 Bridgehampton | 🗓️ Sat, Oct 18 | 🕔 5–6:30PM⁠
A powerful string quartet performance you won’t want to miss.⁠
👉 Link in bio⁠
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🍷 Cab Franc Forward Winemaker’s Dinner⁠
📍 Shelter Island | 🗓️ Sun, Oct 19 | 🕔 5PM⁠
Multi-course dinner + Cab Franc pairings = 🍽️🍇 perfection⁠
👉 Link in bio⁠
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✨ So much happening this weekend — which event are you heading to first?⁠
⁠
#hamptons #fall #fallfestival #shelterisland #5k #wine #winedinner #amberwaves #wolffer
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