There are many reasons to go see the production of “Bob & Jean, A Love Story,” now playing at the Bay Street Theater. The new play by Robert Schenkkan (who attended this performance) opened to a standing ovation this past weekend and will run until June 15th. It is the first show of Bay Street Theater’s 2025 MainStage season. This production of “Bob & Jean” is a triumph. The crowd stood and applauded this “love story” celebration because they felt something special was happening on stage—something magical that marks the birth of a successful new play.
Playwright Robert Schenkkan uses the actual old letters of his parents, who courted during World War Two, as the foundation of this new play he titled “Bob & Jean, A Love Story.” What a wonderful love story it is. Director Matt August masterfully brings Schenkkan’s words to life, creating a show filled with motion, emotion, and moments that will live on in theatergoers’ memories. Right after the introductory comments by Bay Street’s Executive Director Tracy Mitchell and Artistic Director Scott Schwartz, this show created a palpable buzz. “Bob & Jean, A Love Story” touched the hearts and souls of the opening night audience. That emotional connection is what makes live theater so unique and special.
When a live show flows as seemingly effortlessly as this one, it is due to the successful efforts of the director. So, salute to Director Matt August. The movements of his cast reflect his genius, ingenuity, and focus.
Mary Mattison is magnificent. This actor has the “it” factor. She electrifies the stage, breathing life into every scene. Her 1940s period costumes enhanced her portrayal of Jean, a young woman fighting for love and life in perilous times. Her chemistry with Jake Bentley Young, who plays her suitor and husband “Bob,” and Scott Wentworth, who plays the “Narrator,” created that elusive magic only live theater can offer.
Ms. Mattison, a graduate of the North Carolina School of the Arts, adds this role to her growing list of on-stage triumphs. She is one compelling reason to see this play. This reviewer is now a fan of her talent, likely joining every member of the opening night audience who stood in admiration to cheer her performance.
But it wasn’t just Ms. Mattison who received that standing ovation—Jake Bentley Young was fantastic as well. He has a physical presence on stage that demands attention. Mr. Young, a Texas State University BFA graduate, gave a Broadway-worthy performance, elevating and complementing Mary Mattison’s many charms. His connection with the audience was undeniable—I felt it from my seat.
That’s not to say Scott Wentworth, as the Narrator, was any less exceptional. His distinguished presence and resonant voice gave the play a unique gravitas. He pulled the audience in, becoming a guide through the love story of his character’s parents, told through their heartfelt letters from long ago.
A show of this magnitude requires a strong, talented team. The Bay Street Theater staff deserves high praise. Mike Billings’s lighting design was outstanding. The scenic design by Stephen Gifford and the costume design by Kish Finnegan were equally exceptional. Kudos to John Gromada for his work in sound design and original music. A well-earned shout-out goes to Production Stage Manager Kelsy Durkin. Casting credits go to The T.R.C. Company: Tara Rubin, CSA, and Merri Sugarman, CSA.
